Breaking Into Sitcom Writing

Learn from a veteran TV comedy writer how to write professional sitcom scripts and how to break into show business. In this six-week online screenwriting course, you'll discover the artistic and technical considerations that go into making a great sitcom script. You'll master the art of creating concise, sparkling dialogue and telling your story completely through jokes. You'll get easy-to-follow instructions for using sitcom characters to their fullest, creating powerful storylines, and selling your ideas to existing shows.

You'll pick up tricks of the trade and learn to avoid mistakes that mark you as an amateur. And you'll come to understand what happens to your script once you sell it, what happens in a sitcom writers' room, and what happens during the rewrite and punch-up process. Discover from an insider what it takes to get a job in this expanding and lucrative field!

This course includes a knowledgeable and caring instructor who will guide you through your lessons, facilitate discussions, and answer your questions. The instructor for this screenwriting course will be Mindy Glazer.

Mindy Glazer has been a staff and freelance comedy writer for over 20 years, and she's now a development executive at a Hollywood production company. In the process of breaking into the business, she made every beginner's mistake possible and yet still managed to find work. Because the industry has become more competitive, she developed her screenwriting course, "Breaking Into Sitcom Writing," to help aspiring writers avoid the pitfalls. She has taught this subject at numerous colleges and universities in Southern California, and she has had a number of students go on to sell scripts, get agents and jobs, and even win Emmys!

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Requirements:

Internet access, e-mail, and the Microsoft Internet Explorer or Mozilla Firefox Web browser.

Syllabus:

A new section of each course starts monthly. If enrolling in a series of two or more courses, please be sure to space the start date for each course at least two months apart.

All courses run for six weeks, with a two-week grace period at the end. Two lessons are released each week for the six-week duration of the course. You do not have to be present when lessons are released. You will have access to all lessons until the course ends. However, the interactive discussion area that accompanies each lesson will automatically close two weeks after the lesson is released. As such, we strongly recommend that you complete each lesson within two weeks of its release.

The final exam will be released on the same day as the last lesson. Once the final exam has been released, you will have two weeks to complete all of your course work, including the final exam.

Week One

Wednesday - Lesson 01

In this first lesson, you'll learn to decipher the credits on a "crawl" and see just who the writers are in a sitcom. (Just a hint: There are more writers involved than meet the eye!) You'll also discover what makes up a sitcom--all sitcoms share certain important characteristics, and if you use these principles as a guiding framework, you'll have a much easier time keeping your story on the right track. You'll also get some practice sharpening your funny bone and enhancing the creative process. So please join us on this first step to breaking into sitcom writing!

Friday - Lesson 02

The difference between sitting in front of your television saying, "I could write that," and actually doing it is knowing how. Today we're going to tackle the most basic and most important elements of creating a sitcom: story, theme, and structure. In this lesson, I'll show you how and why sitcom stories work and how they fit into the broader context of who we, as storytelling people, have always been.

Week Two

Wednesday - Lesson 03

In sitcoms, all the comedy--in fact, every story idea--has its basis in character. In this lesson, you'll get a solid understanding of character and learn how to layer this all-important variable on story, theme, and structure. By mixing them together, you'll see just how sitcom stories are created. Is it complicated? It can be. But I'll give you a tool that will make the hardest part of sitcom writing simple.

Friday - Lesson 04

Today we're going to look at the engines that run your story: action and jeopardy. You'll discover how to create action in scenes, how scenes build to acts, and how acts build to full stories. You'll add conflict and tension to your repertoire of sitcom writing tools to create well-paced stories that keep the audience rooting for your hero. And since sitcoms often involve a handful of characters, we'll talk about subplots, which will help keep all your characters involved when the story may not be about them.

Week Three

Wednesday - Lesson 05

Dialogue makes up the bulk of any teleplay--yet it differs in every way possible from conversation, which is what it's supposed to sound like. Today we're going to take a look at what dialogue really is and what it must accomplish for the writer, while seeming to sound perfectly natural and funny. It's a lot to ask for, but you'll learn how to look at dialogue differently and use it to best effect.

Friday - Lesson 06

Often, the TV audience will need certain story information--say, about the past or something going on in another location--that you can't show directly. This information is called "exposition," and it's the hardest kind of material to get across in a way that doesn't sound clunky, forced, or amateurish. So today we'll explore ways to include this kind of information that are simple, elegant, and will give your scripts a professional air.

Week Four

Wednesday - Lesson 07

As a television writer, you're not alone in your task of delivering a funny, intriguing, and watchable story. You have partners: the actors. In this lesson, we'll delve into that creative partnership and see how to best serve the actors who will be reading your words. You'll learn how to enrich the dialogue and its performance, make the most of text and subtext, and get your story to come across the way you envision it.

Friday - Lesson 08

The one thing you knew about sitcoms before you began this class was that they make people laugh. Just as an opera tells a story in song, so a sitcom tells a story in jokes. Today we're going to take an in-depth look at the art of joke-writing. You'll see how jokes work, learn how to make them funnier still, and discover a range of possibilities you might not have considered to expand your humor repertoire.

Week Five

Wednesday - Lesson 09

The collaboration you enter into as a sitcom writer will involve everyone who works on your show. Each script you write needs to tell all the technical people who make the show possible just how it should look, feel, and sound. In today's lesson, you'll learn to professionally format a sitcom script so that just what you want to express will be clear to everyone.

Friday - Lesson 10

How do you go from wanting to be a sitcom writer to watching the first sitcom you've written air on network TV? Today you'll find out! You'll learn how to successfully negotiate all the steps that will get you there: writing a great spec script, negotiating your pitch meeting by creating a winning three-minute pitch, writing an outline that's just what the show is looking for, and creating two great drafts of your script.

Week Six

Wednesday - Lesson 11

The journey from page to stage can be a surprising one, so it's best to be prepared. Today you'll see what happens to your finished script once you turn it in and collect your paycheck. We'll start by going inside the Writers' Room and taking a look at the rewrite and punch-up process. Next, we'll walk over to the rehearsal stage to learn about the rehearsal process and what the writer's job is in it. And last, we'll go to the final filming of the show, where sitcom writers polish until the very last moment.

Friday - Lesson 12

In our final lesson, we'll explore the steps you'll take to safeguard your work against plagiarism, including registering it with the Writers Guild. You'll also learn how to get an agent--or at least get your work into the hands of someone who can actually give you an assignment. Then you'll see what's involved in trying to get a job. And we'll wrap everything up by looking at the kinds of personal attributes it takes to be a successful sitcom writer.

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Student Reviews:

• "Identifying the different types of jokes...really helps build a sort of comic palette - different things to try and blend until you've got something great."
  
  
• "I did learn plenty of things about the very special process of creating sitcom scripts that I am confident will help me in future writing."
  
  
• "I found it enjoyable, and informative. I think I got a lot from it, which will help me as a writer."
  
  
• "I have learned a lot. You really helped me visualize being in a sitcom writer's shoes."
  
  
• "I loved the course and especially Mindy's complete coverage of the television writing industry, with anecdotes. I received a lot of helpful information, especially for an introductory course."
  
  
• "Interesting and valuable information. Whether or not I ever write a sitcom it can only enhance my other freelance writing projects. Mindy is a wonderful instructor."
  
  
• " I think out of all the online classes, this has been the most challenging, but it has been fun as well."
  
  
• "I thought that the class was very informative. Mindy was prompt in answering any questions that we had and in offering suggestions to improve our scripts."
  
  
• "I want to thank you for your help, guidance and inspiration. You have a great attitude and it shows in how much you love the world of sitcom."
  
  
• "Loved Chapter 3. The way good character structure can take you by the hand and lead you right to a story is fascinating. It's like working a jigsaw puzzle. These valuable building tools are priceless. Woohoo~"
  
  
• "I enjoyed this class and felt it gave me a great introduction to screenwriting...the course was a great start to my screenwriting career."
  
  
• "Thank you for putting this course together. It has been very helpful and I've learned so very much. While it won't be an easy road, I know I'll make it! "
  
  
• "I feel that I learned a lot from the course and am now more confident in my screenwriting ability. Thanks for the boost in confidence!"
  
  
• "Your personal anecdotes shared with us added to the credibility you brought to this online classroom. Your detailed critiques of our writing attempts were well-analyzed and delivered promptly,"
  
  
• "I have been looking for a long time for a course on screenwriting, but could never find one worth taking. I was very happy to see this one offered, and very happy it was online. I feel I learned a lot from this course, and will apply it to any future screenwriting that I do. Thank You."

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• Beginning Writer's Workshop
  
  
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